Famous Medieval Trials by Doug Linder (2017) God as
Judge: Medieval Trials Great and Gruesome The year is
897, and Pope Stephen VI has ordered the
eight-month-old corpse of his predecessor removed
from its vault at St. Peter’s. The
former, and very dead, pope is clad in his old
pontifical vestments, placed on a throne in a
Roman basilica, and put on trial. A few
decades later, at least if you believe the Annals
of Winchester, King Edward the Confessor accuses
his mother of adultery. But
Edward’s mother proves her innocence by walking
barefoot and unharmed over red-hot ploughshares. Fast
forward to 1386, in Paris, where the King and
Parliament decide to resolve charges of rape and
defamation by having the accused and his accuser
mount horses for a jousting battle. The two
men will go at it until one or the other is dead. Whoever
wins the battle, all agree, will be vindicated as
a matter of law. Strange
doings. Medieval
trials
seem very curious to the modern mind. And today
we’re going to survey three of these peculiar
trials—three great and gruesome trials, spanning
roughly a half millennium. Our goal
is to make sense--if sense can be made--of the
unusual means for resolving conflicts and
punishing bad actors in The Middle Ages. What
were these people thinking? How did it come
to this? Ancient
Greece and Ancient Rome each had pragmatic and
evidence-driven methods for resolving disputes and
criminal charges.
What happened? What happened,
in the first half of the sixth century, was that a
curtain fell on the ancient world. In the
530s, the Black Death swept through much of
Europe. Soon marauding barbarians entered the
continent. They
killed, conquered, and converted. And, in
the process, the invaders transformed Europe’s
systems of justice.
The relatively sensible approach to crime
found in Ancient Rome gave way to something much
different. The Cadaver
Synod of 897 ![]() Our tour of
the strange world of medieval justice starts with
The Cadaver Synod of 897. Or, as
many have come to call it, “The Dead Pope Trial.” The mid to
late 800s was a bad time for popes. Charlemagne’s
empire had crumbled and Europe had split into
smaller and smaller fiefdoms. Many of
these fiefdoms eyed Rome’s treasury and sought
protection money.
Because of Rome’s weakened condition, popes
in the late 800s depended on the support of
secular leaders to hold office and to achieve
goals. It
was a time of political factions. A pope
had to be aligned with the right faction to
accomplish much of anything. But when an
opening occurred in 872, the
papacy went to a rival, Pope John VIII. And then
when Formosus found himself on the wrong side of
the issue of who should be crowned the new
emperor, he fled Rome. Pope
John VIII convened a synod and charged Formosus
with a laundry list of crimes under Church law. Among
the charges were deserting his diocese without
permission, opposing the crowning of the emperor,
and (quote) “conspiring with certain iniquitous
men and women for the destruction of the papal
see.” Formosus
was convicted, defrocked, and excommunicated. You might
think that would be the end of Formosus’s papal
ambitions, but you’d be wrong. Six years later,
the excommunication was lifted. In
return, Formosus promised never to return to Rome
or execute priestly duties. And for
a while, he didn’t. But then, in
882, Pope John VIII was clobbered over the head
with a hammer, thus becoming the first pope to be
assassinated.
Newly
installed Pope Marinus didn’t share his
predecessor’s grudge with Formosus. So he
released Formosus from his oath, and restored him
to his old diocese.
Three more
popes came and went—they seemed to drop dead with
alarming regularity around this time—until at
last, in 891, Formosus became the first former
ex-communicant to be elected Pope. But the job
came with a host of thorny problems. The most
important concerned the messy politics of the
Church and the Holy Roman Empire. The
previous pope had made a commitment to crown as
Roman emperor the very young Guy Spoleto III. But
Formosus had his own idea as to who should be
emperor. And so
Formosus persuaded one Arnulf of Carinthia to
invade Italy and liberate it from the control of
Emperor Spoleto.
Arnulf crossed the Alps and seized the city
of Rome by force in February 896. A day
later in St. Peter’s Basilica, Pope Formosus
crowned Arnulf as the new emperor. Although
Spoleto died suddenly and was no longer in the
picture, nothing about what the Pope had done sat
well with his influential relatives. Two months
later, Pope Formosus died of a stroke, and for
eight months his corpse rested peacefully in its
vault at St. Peters.
But in January
897, power shifted again in Rome. Arnulf
suffered a stroke and left Rome. Once
again, Spoleto’s relatives were riding high—and
they hadn’t forgotten what Formosus did to them. They
didn’t mean to let a little thing like his death
get in the way of revenge. Spoleto’s
relatives put pressure on the new Pope, Stephen
VI, to put Formosus on trial for a list of alleged
crimes. It
might not have taken a lot of pressure. Stephen
VI and Formosus had been on opposite sides in
disputes involving Rome’s aristocracy. In any case,
Pope Stephen calls a meeting of bishops and
cardinals, the notorious Cadaver Synod. At this
meeting, it is decided to remove the rotting
corpse of Pope Formosus from its vault. Church
aides remove the shroud from the corpse, dress it
in pontifical vestments, put a crown on its skull,
and prop what’s left of Formosus up on a throne in
the Basilica of St. John Lateran. The
bishops and cardinals called as witnesses stare in
shock at the sight.
One can imagine them struggling to deal
with the overwhelming stench. Pope Stephen
appoints himself prosecutor. He also
appoints an 18-year-old deacon to serve as counsel
for Formosus.
What happens next is described by E. R.
Chamberlain in his entertaining book The Bad
Popes: “The council wisely kept silent while
Stephen raved and screamed his insults” at the
corpse. The charges
against Formosus include performing the functions
of a bishop after he promised not to, assuming the
papacy, and conspiring against a previous Pope. Among
the list of questions Pope Stephen has for the
corpse are: “Why did you usurp the universal Roman
see in such a spirit of ambition?” Why did
you exercise the office of bishop after you took
an oath to remain a layman? Why did
you commit perjury? Apparently,
dead Pope Formosus has no good answers for these
questions. So
Pope Stephen proposes that Formosus be found
guilty. The
bishops present don’t see any reason to disagree. They all
shout, “So be it!” Guards step
forward to carry out the sentence. The
three fingers of the corpse that Formosus once
used for blessings are hacked off. The
papal crown is removed and the papal garments
stripped off. A short while later, the body is
unceremoniously tossed into the Tiber River. Moreover,
bishops appointed by Formosus and still loyal to
him staged a Vatican coup. A mob
tossed Pope Stephen into a dungeon, where he was
strangled. Subsequently
the decrees of the Cadaver Synod were first
annulled and then reinstated by different popes.
Formosus’s corpse was first returned to its vault
and then exhumed and tossed into the Tiber again.
Eventually, however, Formosus’s bones found their
way back to St. Peter’s, where he was laid to rest
for a third—and one would hope final—time. The Cadaver
Synod succeeded in dampening enthusiasm for trying
corpses. Indeed, in 898 Pope John IX even issued a
decree prohibiting future trials of the dead. Even so, Pope
Formosus was not the last person to show up dead
for his trial. Over the next half millennium,
scores of other cadavers had their unwanted days
in court. So what was behind these trials? Why, in
the Middle Ages would one try a dead pope? Or
anyone else? In
part, such trials reflect medieval beliefs about
death—death is not the end; people move on to
their rewards and punishments in the next world. And a good
part of the interest in trying dead people can be
attributed to laws that allowed the confiscation
of property of persons convicted—dead or alive--of
serious crimes. As late as 1591, Judge Pierre
Ayrault argued in a treatise that convicting the
guilty after death made every bit as much sense as
posthumous exonerations of the innocent. Perhaps.
But is it really necessary for the dead defendant
to show up in court? The Trial
of Emma The Cadaver
Synod was something of a special case. What
about trials of non-popes, including ordinary
people, accused of committing ordinary crimes? In
these cases, most of Europe turned to systems of
justice that produced just results only if God
took enough interest in a case to provide it. Briefly put,
there were two techniques, each semi-rational at
best, that came into use. The
earliest trial form to develop was trial by
oath—or more precisely, trial by compurgation. In these
trials, a person accused of a crime tried to round
up people willing to swear to his or her
innocence—people called compurgators. The
number of oath-takers required to prove innocence
varied with the seriousness of the charge and
one’s place in society. These
trials were not fact-based inquiries; the oaths were the
evidence. Even
the high and mighty had to seek out compurgators. For
example, in 899 BC, Queen Uta of Germany stood
accused of adultery.
She won acquittal, however, when 82 knights
lined up to confirm her chastity. If that
seems like a high burden for Queen Uta, consider
that a person accused of poisoning in Dark Ages
Wales had to find 600 compurgators to prove his
innocence. ![]() Queen Uta Trials by oath
made sense for people who believed God would
strike dead anyone who swore falsely. But
objections to the system—people understood perjury
was possible--led
to another form of trial process, trial by ordeal. At
first, ordeals were employed as a way of producing
a result in intractable cases, but its use spread
and in many places replaced compurgation
altogether. Let’s leave
Rome and travel to eleventh-century England for
the trial, if we can call it that, of Queen Emma
of Normandy.
But first a bit of background on “Trials by
Ordeal.” Trial by
Ordeal Trials by
Ordeal bear almost no resemblance to modern
trials. They
were proceedings designed to attract God’s
attention and have Him make the call: Guilty or
Innocent. If
a defendant was truly innocent, the thinking went,
God would step in and perform a miracle to save
the defendant from a grievous wrong. Trials
by ordeal were not, mind you, some wink-wink
proceeding. People of the medieval world, for the
most part, actually believed that
God would ensure a just outcome. For most
people of the time, God was ever-watchful—they
could scarcely imagine Him just sitting by and let
an innocent person be found guilty. In a trial by
ordeal the defendant was subjected to a challenge,
usually an unpleasant one causing serious injury.
A typical ordeal might involve walking over hot
irons or retrieving a stone from boiling water. The
defendant was found innocent if the injury
sufficiently healed within a specific time—3 days
was typical--and guilty if the injury still
festered. In
the more bizarre ordeal of the cold water, bound
suspects were thrown into a convenient body of
water to see whether they sank or floated. Because
water was believed to be pure and have the power
to repel sin, anyone who sank persuasively enough
was acquitted—and, with luck, might be
resuscitated and live to see another day.
No
contemporaneous records exist for the trial by
ordeal of Emma of Normandy. The
earliest surviving record comes from The
Annals of Winchester, written in about 1200.
As with any account written over a century after
the fact, it is best to assume the story as we
have it contains a mixture of fact and and a large
dose of fiction. According to
the Annals, the Archbishop of Canterbury
persuaded King Edward the Confessor to charge his
own mother, Emma of Normandy, with
adultery. The charge claimed that Emma had engaged
in sexual relations with Bishop Elfwine of
Winchester. Emma
insisted she was innocent—and that she willing
undergo the ordeal of hot iron to prove it. The Archbishop
of Canterbury agreed—but only with rigorous
conditions. (Quote):
“Let the ill-famed woman walk nine paces, with
bare feet, on nine red-hot ploughshares—four to
clear herself and five to clear the bishop. If she
falters, if she does not press one of the
ploughshares fully with her feet, if she is harmed
the one least bit, then let her be judged a
fornicator.”
Now that’s one tough test. So here’s the
scene. The nine red-hot ploughshares are laid
across the pavement in a church. Emma
enters and entreats God to save her. Led by
the hand by bishops, she starts to walk. Miraculously,
according to chroniclers, Emma passes the test
with flying colors.
According to one account, Emma “senses
nothing.” She
even turns to a bishop and asks, “When shall we
come to the ploughshares?” The bishops, no doubt
shocked by her question, tell her she just passed
over them. Her
feet are examined, or so the report goes, and they
are found to be uninjured. All
around proclaim a miracle. Emma is
innocent of the charge and free to go, with all
her confiscated property restored. There is
reason to take this account with a grain of salt. Perhaps
the ploughshares were not as hot as the archbishop
ordered, perhaps Emma’s feet were toasted, but
less so than expected. Perhaps
the ordeal never even occurred at all. Separating
fact from fiction can be difficult in a period
without much record-keeping. It is
beyond question, however, that the ordeal of hot
iron was one of the more common forms of ordeal
during this time period. Note also the
involvement of the Church in these trials. The
Catholic Church took to trials with gusto. The use
of ordeals actually expanded
in
the ninth through eleventh centuries along as
Latin Christendom spread in Europe. The Church
found trials by ordeal to be a handy way of
dealing with heretics. “Want to
prove you are a good Catholic?—take the ordeal of
the hot irons!”
The Church realized another benefit from
the system. Priests frequently were paid to
supervise ordeals. If chroniclers
are to be believed, trials by ordeal had a fairly
high exoneration rate. Priests had a great deal of
latitude to make judgments, even assuming the
ordeals themselves were not manipulated, as of
course they could be. Has the wound healed enough
to prove innocence?
That can be a question without a clear
answer. Perhaps a bribe might influence the final
call? Given the discretion here, woe to the poor
defendant undergoing an ordeal who had crossed the
priest in some way. Meanwhile
in Iceland: The Burnt Njal Trial (circa 1012) Isolated
from the rest of Europe, Iceland developed a
unique culture and legal system. One of
the treasures we have from the medieval world
are Icelandic sagas. And the greatest of
all Icelandic sagas, The Saga of Burnt
Njal (written in about 1280), tells of a
remarkable trial that took place at Iceland's
Law Rock in about 1012. (Of course,
given time between the trial and when the
story was put into writing, again one must
assume the account is a mix of fact and
fiction.)The trial grew out of a long-lasting
feud of monumental proportions. One
group of feuders, led by a chieftan named
Flosi with a hundred men, descend on the
farmhouse of one of the key feuders on the
other side, Njal. With
Njal and his son inside, trying as best they
can to mount a defense, the house in set on
fire. All
inside die except for Njal’s nephew, Kari
Solmundarson, who climbs to the rafters and
leaps from the roof with his hair and clothes
ablaze. Kari
plunges into a nearby stream, but is left
disfigured and in pain from severe burns. Kari’s
mission becomes seeking revenge for the deaths
of Njal and his other relatives. Law Rock in southwestern Iceland
Feuds can be destructive
of society.
At the turn of the millennium,
religious and secular authorities in Iceland
hoped that a legal system might break, or at
least slow, the tide of violence. When
Kari spreads the news of the awful fire, he
gets surprising advice from a foster son of
Njal, Thorhall Asgrimsson. He
tells Kari they should take the murderers to
court. When Flosi receives
notice of the suit, he considers settlement,
but is persuaded by another member of the gang
of arsonists that they should instead hire
their own lawyer. Flosi
visits Eyjolf Bolverksson, the most
highly-regarded lawyer in all of Iceland, and
asks him if he will take their case. Eyjolf,
described in the saga as bedecked in a scarlet
cloak and gold headband, initially turns down
Flosi’s request.
But Flosi’s offer of a splendid gold
chain for his services causes him to
reconsider.
He tells Flosi that he will take the
case. At
the time, however, accepting compensation for
legal services was considered improper—so one
could guess where the saga might be going. Eyjolf
will come to regret his decision to defend
Flosi and his gang. Trials in Iceland took
place at Law Rock, a beautiful spot between a
lava cliff and a wide valley sliced by a
shining river.
On the actual rock, once each summer,
the Law Speaker recites to everyone present
one-third of Iceland’s legal code. (The
next summer, he will recite a different third
of the code, and in the third year, he will
complete his recital before starting over
again the next year.) When
a case was to be heard, lawyers would gather
in their respective booths, while around them
circulated jurors and interested spectators. In Kari’s trial, Kari’s
nine jurors seated themselves on the ground. They
are present not to weigh facts, but rather to
swear that Kari followed proper legal
procedures in bringing his suit. All
become silent when Kari’s lawyer, Mord
Valgardsson, stepped up to Law Rock. In
what we might call his “opening statement,”
Mord announced that he will plead truly,
fairly, and in accordance with the law. He
then asked witnesses to swear he had been
lawfully appointed and that the defendants had
been given notice of the suit. He
then asked if anyone had any objections. Eyjolf Bolverksson was
ready. He
argued that two of the jurors should be
disqualified on the ground they are related to
him. Mord
had no answer to the objection and the suit
seemed on the verge of dissolving. But
one man might have the answer: Thorhall
Asgrimsson.
Thorhall, to his great consternation,
could not attend the court proceedings because
of an ugly leg inflammation that had left him
bedridden.
Messengers rushed to
Thorhall’s home, got his legal advice, and
then passed it on to Mord. Mord
stood to refute Eyjolf’s argument for
disqualification. He
said that only kinship with the accuser, not
with a defense attorney, required a juror to
step down.
Sadskat Kadri, in his
lively account of the trial, notes that all
around considered Mord’s response “brilliant,”
but that Eyjolf “pulled another arrow from his
quiver.” Eyjolf argues that home ownership is
a requirement for jurors, but that two of
Kari’s jurors are not homeowners. Once
again, messengers ride off to Thorhall and
come back with his rejoinder: ownership of a
cow is sufficient to establish eligibility to
serve as a juror. This
claim turned out to be a matter of dispute,
and so the question is put to the Law Speaker,
Skapti Thoroddsson. He
emerged from his booth to announce his
decision.
A cow, indeed, will do. Eyjolf has one last
trick up his sleeve. Jurors,
in Iceland, are the men living closest to the
scene of the crime. (Note
that in Medieval Iceland, the legal system
expected jurors to be the people most knowledgeable
about a crime, not—as seems the preference in
our system—people with almost zero knowledge
of the crime.)
Eyjolf argued for disqualification of
four jurors who, he said, lived more distant
to the scene of the crime that others not
asked to serve as jurors. Yet again Mord had an
answer. He
said cases could be decided by a majority of
the nine jurors, and five still remain. The
Law Speaker seemed stunned. He
believed he was the only person in all of
Iceland who knew this fine legal point,
but—yes—five jurors would suffice. With issues of juror
eligibility finally behind him, Eyjolf
proceeded to his next argument, a
jurisdictional claim. He
argued that the case had been brought before
the wrong division of the Law Rock. This
turned out to be true, but resulted in only a
short delay as Kari’s team refiled the case. The
prosecution (that is, Kari’s side) now took to
offense, contending that Eyjolf was guilty of
bribery for accepting the gold bracelet as
payment for his services. But
what could have been a knockout blow became
irrelevant in light of a serious legal error
by Mord.
Mord demanded that six of the 36 judges
in the case stand down and that the remaining
judges award Kari’s side the verdict. But
for reasons that only the best scholar of
Medieval Icelandic jurisprudence might fathom,
this was a mistake. Mord
should have asked to remove twelve judges, not
six. The
legal blunder meant that Kari and the other of
Njal’s kinsmen, far from winning their case,
faced exile! ![]() Kari Solmundarson Even Thorhall had no
remedy for this problem. Instead,
he roused himself from his bed and, blood
pouring down his leg, made way for Law Rock. Thorhall,
despite being an admired jurist, evidently had
had it with legal maneuverings. When
he encountered Grim the Red, a member of
Flosi’s legal team, he plants a spear into the
man, splitting his shoulder blades in two. Then
all hell broke loose. The
fact that such a gravely injured man as
Thorhall was moved to action inspired other
members of Kari’s side to fight. Soon,
as Kadri describes it, “Across the Law Rock,
weapons fly, bones crack, body parts are
pierced, and at least one bystander is hurled
headlong into a boiling cauldron.” When
the Law Speaker proposed a cease-fire
negotiation, his answer was a spear through
both his calves.
The action reached its climax when
Eyjolf Bolverksson was spotted by one of
Kari’s supporters. “Reward
him for that bracelet,” the friend suggested
to Kari.
Kari launches a spear that cuts clean
through the pleader’s waist. The next morning, after
the dead were buried and wounds bound, some of
the trial participants returned to Law Rock. It
was for one of Flosi’s team to state the
obvious: “There have been harsh happenings
here, in loss of life and lawsuits.” Trial by
Combat: "The Last Duel" ![]() One variation
of ordeal still captures our imagination. You
know it. It’s
a form of ordeal played out on 21st-century
fairgrounds by re-enactors in medieval
festivals: Trial by Combat. Two
things distinguish Trial by Combat from all the
other varieties of ordeal used in the Middle
Ages. First,
most ordeals were unilateral, involving one
party only.
It takes two to duel. Second,
for a defendant in most forms of ordeal to prove
innocence, he or she had to hope that natural
processes worked in a surprising way. Not so
with Trial by Combat, where skill and cunning
could make all the difference.
The last great
example of trial by combat took place in 1386, at
an abbey north of Paris, where royalty, dukes, and
thousands of ordinary Parisians gathered to watch
the bloody spectacle. To say that
the two combatants, Jean de Carrouges and Jacques
Le Gris, had a history is a bit of an
understatement.
At one time, the two were close friends. So
close, in fact, that Carrouges chose Le Gris to be
the godfather of his first son. But
things began to deteriorate. When
both men were in the court circle of Count Pierre
d’ Alençon,
Le Gris became the Count’s favorite vassal. The
Count rewarded Le Gris with a prized estate and
other favors.
Carrouges became jealous and the two became
rivals. Carrouges fell
in love and married the daughter of a Norman lord. His new
bride, Marquerite, was a pretty good catch. She is
described as “young, beautiful, good, sensible,
and modest.”
It also turns out that Marquerite’s father
used to own a valuable estate, which he had sold
to Count Pierre three years before his daughter’s
marriage. Pierre,
in turn, handed the sought-after estate to
Carrouges’ archrival, Le Gris. So Carrouges
launched a lawsuit against Le Gris. He
alleged that the transfer of the estate to Count
Pierre was null and void for reasons that need not
occupy us here.
The bottom line is, Carrouges argued
the
land in question still really belonged to his
in-laws. But the lawsuit went nowhere. But in 1384,
Carrouges and Le Gris had a chance meeting at a
party and apparently agreed to bury the hatchet. Carrouges
even introduced Le Gris to his beautiful wife
Marquerite. Big mistake. Marguerite
answers a knock on the door. The door
knocker is a man-at-arms named Adam Louvel. Louvel
questions her about a loan for a minute. Then he
announces--surprise!--Jacques Le Gris is waiting
outside and he really
would like to see you. Marguerite
declines
the offer. Louvel
persists: “He loves you passionately, he’ll do
anything for you.
He really, really wants to see you.” Marguerite
still says no.
Le Gris barges in anyway. Then,
according to Marguerite, he propositions her. He
sweetens the offer by throwing in a goodly sum of
money if they can just have sex and keep mum about
it. Again,
Marguerite says no.
Le Gris, with Louvel helping, proceeds to
rape Marguerite.
Before he leaves, Le Gris threatens to kill
Marguerite if she tells anyone, including her
husband, about what just happened. Carrouges
returned several days later, and despite Le Gris’
threat, Marguerite could not keep silent. She
tearfully told her husband that Le Gris raped her.
We can assume that when Carrouges heard this news
he became fighting mad. Worse yet,
Marguerite told her husband that she was
pregnant--and could not know who the father was. Carrouges
decided to press charges of rape against Le Gris. But the
suit had a problem.
First, there was the “he said-she said”
aspect of it. Marguerite was the only witness. Le
Gris would surely deny the rape. Second,
the judge for the case would be none other than
Count Pierre.
The Count was assigned the duty of resolving
disputes involving his vassals. And
we can guess whose side HE would take. In fact, the
deck was stacked so steeply against them that
Carrouges and Marguerite didn’t even bother to
attend the proceeding. Predictably,
the Count acquitted Le Gris of all charges and
proceeded to accuse Marguerite of “dreaming” the
attack. But the
Count’s verdict could be appealed to Court
Pierre's overlord, King Charles VI. Guessing
that a traditional appeal would fail, Carrouges
came up with another plan. A plan
that might prove attractive to the King and his
Court’s lust for entertainment. Carrouge
proposed that the rape charge be settled through
trial-by-combat. Trials by
combat had once been a common means of resolving
disputes in France.
But by 1386 they had become very rare. A 1306
law limited trials by combat to only capital
crimes involving noblemen. Carrouges probably
expected his idea to be rejected. But the
French court was intrigued. A good
old-fashioned trial-by-combat might be fun. In the second
phase of legal process, Carrouges and Le Gris and
their respective supporters showed up at the
Palace of Justice to issue a formal challenge.
Before the King's Court (The Parlement of Paris, a
body of 32 magistrates), they each recited their
accusations.
Carrouges accused Le Gris of rape. Le Gris
accused Carrouges of defamation. Then
they each threw down the gauntlet. Literally. Throwing
down a gauntlet was the formal indication of each
man’s willingness to fight. Interestingly,
the King's Court decided to hold off on the
judicial duel and to hear the case as an ordinary
criminal one first.
The criminal trial dragged on through much
of the summer.
But, finally,
the King's Court handed down its verdict--or
non-verdict.
The magistrates announced they could not
reach a decision.
A judicial duel to the death it would have
to be. When you hear
the word “duel,” you might think of something like
the Hamilton-Burr duel. A couple
of men, deciding for their own foolish reasons, to
settle scores in an old-fashioned and violent way. But this
is a judicial duel, a form of ordeal that assumes
God will be watching over and directing the
outcome. In
this judicial duel, not only would the survivor
survive, he would be in the eyes of God, and the
law, vindicated.
Now, it wasn’t
just the lives of the two men that hung in the
balance. Marguerite’s life did as well. For if
her husband died, that could only mean that her
rape accusation was baseless and that she had
committed perjury.
Perjury was a capital offense. So,
Marguerite knew that if her husband lost the duel,
she would be immediately burnt at the stake. If ever
a wife had reason to cheer her husband on in
battle, here it was. And so the big
day arrives: December 29, 1386. Thousands
of spectators begin gathering at dawn, hours
before the event. They flock to a jousting arena
at an abbey in the north Paris suburbs. The king
is there too, as well as an impressive collection
of dukes. Marguerite,
dressed in black, sits in a carriage overlooking
the field. ![]() Marguerite says goodbye to Carrouges moments before his duel with Le Gris (British Library) The two
combatants, dressed in full armor and each riding
a horse, take the field. Each man
has an impressive collection of weapons. They
each carry a lance, a sword, a long dagger, and a
heavy battle axe.
Carrouges recites to the crowd his charges
against Le Gris.
Then its Le Gris’s turn, and he recites his
charge of defamation. They
each dismount their horses and give oaths to God
and the Virgin Mary and St. George. The
oaths, a key part of the process, ensure God’s
judgment--and not just their own jousting
skills--will determine the outcome of the duel. The King’s
instructions are read. Essentially
the deal is this: anyone who runs onto the field
and interferes with the duel will be executed and
anyone who interferes with the duel by shouting
will have their hand cut off. Effective
crowd control measures, no doubt. Then
it’s show time. The horses
square up at the proper distance. The
marshal signals.
The two men charge at each other. On the
first pass, their lances strike, but no harm is
done. On
the second pass, they strike each other on their
armored headpieces.
They wheel around and charge at each other
a third time, striking each other’s shields and
shattering both lances. The axes
come out in in round four. They
slash at each other with axes until Le Gris
manages to drive his through the neck of
Carrouges’s horse, beheading it. The poor
horse stumbles to the ground and Carrouges jumps
off. He
charges at Le Gris’s horse and disembowels it. (You
have to feel for the innocent horses, if not the
combatants.) It’s time to
pull out the swords and battle on foot. The two
men thrust and parry and all those other things
you do with swords.
This goes on for several minutes. Le Gris
gains the advantage after he manages to stab his
rival in his right thigh. But
Carrouges isn’t finished yet. He
wrestles Le Gris flat to the ground, not a very
good place to be if you’re wearing very heavy
armor. Carrouges
stabs his rival right and left, but he not getting
anywhere--the armor is just too tough for the
sword. So
he tears Le Gris’s faceplate off and shouts at his
old nemesis.
Admit your guilt, you fiend. Le Gris
cries out, “In the name of God and on the peril of
damnation of my soul, I am innocent!” That
does it. Carrouges
takes out his dagger and drives it through Le
Gris’s neck, killing him. Marguerite,
watching all this, is quite relieved. But
before the victor can receive congratulations from
his wife, he is bandaged up by his pages and walks
over to the King.
He kneels before the King and accepts his
prize of a thousand francs. Carrouges
limps off to bow and clasp his wife as the crowd
shouts its approval.
Finally, the happy twosome ride from the
jousting field to the Cathedral of Notre-Dame to
thank God for securing them justice. With that, the
curtain comes down on trial by combat in France. Never
again would the French government sanction a
judicial duel. Each of the
trials we’ve examined in this lecture was
exceptional.
The Cadaver Synod exceptional in its
grotesqueness, the trial by ordeal of Emma of
Normandy exceptional for its reported outcome and
the high status of the accused, and the trial by
combat exceptional for what it represents, the
last great example from a system of deciding cases
based on the assumption that God cares enough
about the outcome to produce a just result. Each
trial appears crazy to the modern mind, but the
mindsets of the men and women of the medieval age
were decidedly not modern. They
believed in a God who perpetually watched and
tinkered with his creation. The End of
an Age Even as early
as the ninth century, trials by ordeal had its
critics. Skeptics
questioned whether God actually had much interest
in stepping in to make sure every ordeal came out
as it should. Charlemagne must have noted the
criticism when he commanded, “Let all believe in
the ordeal without doubting.” As
historian Robert Bartlett observed, the
commandment would scarcely have been necessary if
there were no doubters. By the late 12th
century, criticism of ordeals grew louder. Couldn’t
God secure justice if He wanted without
ordeals—aren’t they just superfluous? Isn’t it
presumptuous to assume we can determine God’s will
from a test we make up? Might
not a guilty person use magic and falsely win his
innocence? Isn’t it possible God might simply
choose to sit an ordeal out, and not intervene? If
someone who is guilty confesses, shouldn’t that
cleanse their guilt and result in the ordeal
showing them to be innocent? What if 3 suspects
are made in turn to walk over hot irons—doesn’t
the third and last suspect to do the walk have a
better chance of being found innocent? And
where in the Bible, exactly, is support for this
whole notion of ordeals? These critical
voices began to be heard at the highest levels. In 1199,
Pope Innocent III approved a new way of proceeding
in criminal cases: judges on their own motion
could launch inquiries into crimes, even look into
the minds of the accused. The new
proceeding was called “the inquisition.” Sixteen
years later, in 1215, the Fourth Lateran Council
prohibited priests from blessing ordeals by fire
or water. The
age of the trial by ordeal was closing. |