Caribou Creek Press was established in 2023 to publish select works of poetry and promote the reading of poetry.  It is based in Lutsen, Minnesota.


J
oyce Sutphen, former poet laureate of Minnesota, noted that Doug Linder’s poems are marked by “transfers of experience” as he “looks for ways to pass his ‘sense of place’ down to the next generation (and the next).”  Linder admits in Shooting Hoops in the Dark, “We want them to love what we love.”  Sutphen adds, “Happily for us” his collection “brings us a long way there.”

 

Linder’s poems are filled with warmth, whimsy, and wit.  Shooting Hoops in the Dark explores boyhood, married life, and the passage of time.  Linder considers the fate of the Jolly Green Giant and the wisdom of Eeyore, travels back to (what’s left of) the Garden of Eden with Adam, and ponders questions ranging from the benefits of living in Flyover Country to the origin of the term “half-assed.”

 

Using plain speech and a playful voice, these empathetic poems will delight readers who might be left cold by poets whose work veers toward the obscure and incomprehensible.  Linder’s poems suggest that life is what you see and feel; that looking for hidden meanings is a waste of time.  This collection, about seeing and feeling, is an appreciation of the speck of space and time that has been the poet’s amusement and mystery.  Savor the poems of Shooting Hoops in the Dark and be transported to a world of inspired wonder.


You might call this collection a shot. A basketball heaved high towards an orange hoop in the sky. 






 Caribou Creek Press

Coming Soon in January 2024:





Two Poems from Shooting Hoops in the Dark:

Thinking about an Allium

 

“A purple flower that is the Latin word for garlic?

Six letters, ending with an ‘m’, I think.”

 

“Allium,” Cheryl says.  “With a double ‘l’.”

 

“Yes, of course,” I say, penciling letters into boxes

on the crossword. I picture the allium.

Its determined stem reaching higher than seems possible,

topped by its preposterous purple globe.

“It reminds me of the coronavirus,” I say.

“Spherical.  Its little pointed petals sticking out.”

 

“Everything reminds you of the coronavirus.”

 

“Except the virus is gray, not purple. And its spikes are red.”

Are they really red? I wonder.  Light can’t reach a virus, can it?

It must have no color at all.

“I think some artist just made the spikes red to scare us. 

To make it look more like an alien invader.”

 

“Yes, dear,” Cheryl says.

 

In our backyard, the azaleas parade their pink.

The dogwood boasts its elegant blooms.

An iris chorus cries “Spring!”

“Let’s go outside,” I say.

Shooting Hoops in the Dark

 

The old backboard is still mounted above the garage door,

the orange rim still ten feet above the driveway

where I’d shoot hoops into the winter darkness

until my mother hollered it was time for dinner.

 

I wouldn’t head inside right away.

Not until I’d made three clean shots in a row,

even if that meant ignoring a second call to come in—

and now, darn it, now.

 

My three-shot rule was part superstition,

part a ploy to see myself as someone who finished jobs right.

I think of this now, driving by our old family home,

and wonder whether I have three good shots left.

 

Let me shoot. Let me shoot until the stars come out!

Shoot, until my mother clutches me—

and says it’s time to come home.




The Idea of North (2022)


The poetry of Doug Linder is characterized by plain speech, empathy, wit, and a penchant for taking readers to surprising places. The Idea of North brings together more than fifty poems set in the North Country ("Is it a place or is it an idea?"). Linder's poetic imaginings wander the North from the polar-bear-prowled streets of Churchill to hot springs under Montana's big sky, but he returns most often to the place he knows best, Minnesota's distinctive "North Shore," the wild lands north of Lake Superior. Many of these playful poems consider wildlife (you'll find poems about lynx, moose, wolves and woodpeckers) and the natural world (lichens, dragonflies, northern lights), but the collection also includes poems about such diverse subjects as curling, maple syrup, taconite plants, second homes, and a gas station designed by Frank Lloyd Wright. Deftly mixing deep insights and play, this is a poetry book even for people who thought they didn't like poetry.

 


Two Poems from The Idea of North:

The Idea of North

 

Just past the Moose Lake exit off I-35,

I say, “The North is an idea, not a place,”

And my wife looks at me as she often does and asks,

“Then why are we trying to drive to it?”

 

We shoot downhill along concrete channels into Duluth,

With its bridges, railroads, and waiting freighters.

We pass under the arching elms of Lake Street with its

Handsome mansions and porched Victorians.

 

And we come out on highway 61, where we nod to

Those lovely-named parks, Gooseberry and Split Rock,

Tettegouche and Temperance—Temperance, where

Each summer we whoop and leap, hand-in-hand,

From a rocky ledge into the river’s cold currents below.

 

Looking to our right, when stands of birch and spruce relent,

And the view opens up, we see Superior singing,

Its silver and sapphire waters shimmering

As far as the eye can see.

 

Then a voice from the back seat: “Are we there yet?”

I make a last check for typos, change a word here or there,

And hit “Send.” This book of poems is off to my publisher.

“The readers will decide,” I reply.

 

It’s unfair, I know, to press a question when you only

Meant to sit cozily in your chair and be amused,

But which is it, dear Reader: Is the North just a place,

Or is it an Idea?

The Best of All Possible Campsites

 

Like most people who have spent much time

In the Boundary Waters, we have a favorite campsite,

But don’t expect me to tell you where it is.

 

Suffice it to say it is a campsite where blueberries grow thick

And are always ripe for the picking—

Where the dappled morning sun laps your tent screen—

Where a family of loons is sure to glide past just to say hello—

Where walleyes swim nearby, begging to be caught—

Where purple iris and pink moccasins line soft forest trails—

Where a ledge over deep water invites leaps—

Where a fair gentle breeze always blows

In whatever direction you are headed.

It is that sort of campsite.

 

I know how much you’d love this campsite,

And how you are hoping now for a hint—

The entry point, perhaps?  Maybe a landmark to look for?—


 

But I’m sorry.

You see we’re on our way there, paddling slow and easy,

And I’m worried you might jump from this page into your canoe

And beat us to this best of all possible campsites.